ANNEX NEWS

The Traps of the Imagined

April 10th, 2026 | By Jorge Rodriguez

April 10, 2026 marks the long-awaited return to Earth of the astronauts from Artemis II. The mission set out to perform a lunar flyby that reached the Moon’s far side. Reid Wiseman, Christina Koch, Victor Glover, and Jeremy Hansen traveled farther than any human beings in history, a detail irresistible to sensational headlines. In keeping with the logic of a world shaped by social media, they took several photographs. A few selfies as well, which, out of discretion or contract, will not appear in scientific journals.

The large shadows on the right are remnants of ancient lava seas, formed when the Moon was still volcanically active. They belong to the near side, the hemisphere visible from Earth. The crater west of the dark expanse is the Orientale basin. Everything to the left falls within the side we cannot observe, since the Moon rotates on its axis at the same rate it orbits our planet.

There is something quietly frustrating in realizing that the face of the Moon we never managed to see is exactly the one we already know. For a long time, it was imagined as a refuge for the lost inhabitants of Atlantis, or for those extraterrestrials who tend the planet while waiting for its proper ripeness. Round things invite that kind of projection, the hidden side of an orange, the reverse of a beach ball. Illusion has little ground to stand on.

The photograph, which I hope is authentic, was published by New Scientist, Vol. 270, No. 3590, April 11, 2026. If you look closely, it had not yet officially reached circulation. It appears in black and white, perhaps to heighten its drama and its documentary authority. I would have preferred a trace of color, something restrained. So this is the world we get.

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This content is currently being reviewed and will be updated in due course.

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Art News

Banksy Returns Under Cover

May 1st, 2026 | By Jorge Rodriguez

I suppose that waking up to find the night has birthed a new Banksy is, by now, almost routine. This time, however, something is different. He has literally moved up a step. He has planted a life-size sculpture in one of the most heavily guarded spaces in London. No witnesses. The piece appeared in the early hours of Wednesday at Waterloo Place, an avenue in central London halfway between Trafalgar Square and Buckingham Palace.

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The photography of Daniel Regan

April 30th, 2026 | By Jorge Rodriguez

A District Showcase of Young Artists

APRIL 24, 2026 | BY JORGE RODRIGUEZ
April 22th, 2026 | By Jorge Rodriguez