1310 PENDLETON STREET CINCINNATI, OH
| (513) 407-7077 | WED - SAT 13:00 PM - 16:00 PM
THE
ANNEX
GALLERY
Photography & Building Community
Free virtual program hosted on Zoom; registration required!
In 2020, as the pandemic emptied halls and routines, the Clifton Cultural Arts Center oriented its program around the idea of the “third place”: informal realms beyond home and work—cafés, libraries, cultural centers, parks—where bonds are woven, civic conversation unfolds, and a sense of belonging takes root. First articulated by sociologist Ray Oldenburg in The Great Good Place (1989), these “third places” function as anchors of communal life: accessible, welcoming, non-hierarchical, and conducive to spontaneous encounter. Oldenburg (1932–2022) argued that they fortify democracy and counter isolation; his work has been revisited by Karen Christensen, who updates the concept amid contemporary loneliness and polarization.
In Cincinnati, CCAC’s curatorial choice resonated with FotoFocus’s 2020 pivot—redirecting its Biennial budget into an emergency fund for more than one hundred venues—and with public programs such as Sunset Salons, reaffirming art’s role as a social catalyst when the public sphere was constrained. Thus, exhibitions and talks on the “third place” did more than present artworks: they offered a framework to reimagine cultural conviviality—against confinement, hospitality; against fragmentation, conversation; against the void, community.
Featured Panelists Include: Photographers Alexandra Buxbaum, Emily Hanako Momohara, and Jens G. Rosenkrantz Jr.
Panel facilitated by Carissa Barnard, Deputy Director of Exhibitions and Programming for FotoFocus.
For more information on featured panelists and to RSVP, visit https://cliftonculturalarts.org/…/sunset-salons…/
Time
Wednesday, September 30, 2020 at 6 PM – 7 PM
Location
The Annex Gallery
1310 Pendleton Street
Cincinnati, Ohio 45205
Steelcase / Design
Q + A with Ray Oldenburg
The idea of a public, social place outside of home and work has been around for centuries, but it didn’t enter the lexicon as a “third place” until the phenomenon was thoroughly explored by sociologist Ray Oldenburg in his 1989 book, “The Great Good Place.”
One of the people I love most in the world—among other reasons, for something like this—cried for several minutes upon realizing that the book which had occupied her for a brief stretch of time had come to an end. To close it and return it to the shelf meant abandoning a world she already considered her own: one where good and evil were distinguished in every conceivable way. Beyond its beauty, that universe offered purpose, a sanctioned form of contemplation, and a steadfast commitment to the benevolence of the spirit.
More than a dozen portraits of the current President of the United States
A Selection of Iconic New Yorker Covers from Jens Rosenkrantz’s Private Collection
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