



Prints, Canvas and Ceramics

Beginning April 8, 2026, the exhibition brings together a recent body of work that reaffirms his position as one of the most compelling living voices of Cuban abstraction. Born in Artemisa in 1961 and currently based in North Carolina, Mena has developed a visual language grounded in gesture, color, and structural tension, drawing from both urban experience and an internalized emotional memory. With an international trajectory that spans exhibitions across Europe, the Americas, and Asia, and inclusion in major collections such as the Museo Nacional de Bellas Artes de Cuba and the Museum of Latin American Art (MOLAA), his work operates at the intersection of expressive intuition and formal construction. On this occasion, the exhibition expands his practice through the inclusion of ceramics, printmaking, and a selection of textiles, introducing new material registers while remaining firmly anchored in the abstract vocabulary that has defined his career.
the show will remain on view through April 17.



When we first came across Tim Harrier’s Shaman Spirit Guides, we dismissed them without mercy as the product of artificial intelligence. The mud-covered faces, the animals emerging from the background, and an unbroken frontal force produced, almost at once, a malignant suspicion. Suspicion ran far ahead of the work. And we are right to suspect almost everything in life. This series, no...


